As my project duration moves into the double digits (365 definitely feels like a long way off!), clouds have returned to the Georgia Piedmont. On a highly humid day (near one hundred percent), I ventured to Piney Woods Church Road in the early afternoon, in search of fog. There were light patches that helped soften the background landscape a bit, but nothing particularly enticing to photograph. Instead, though, I quickly discovered the potential of photographing water droplets suspended from the tips of leaves and branches. Using my plus four macro lens, I took dozens of droplet photos as I walked toward Hutcheson Ferry Road and back. My first — and last — photographs were taken of droplets on the leaves of cedar trees growing along the edge of a property bordering the road at its intersection with Rico Road. Facing the intersection, I framed my photos to include the brilliant red of the stop sign, out of focus in the background. Returning along Piney Woods Church Road, I wondered if it might be possible to take the same photograph, but include a vehicle driving by. The result (on the second attempt) was the image below. I have titled it “Stop Action” to reflect the juxtaposition of the car racing by with the “frozen in time” feeling created by the water droplet, with the stop sign adds further to this visual contradiction. I am tempted to add that this is probably one of my most didactic photos I have taken lately, recommending that we “stop action” from time to time in order to notice the ephemeral and the beautiful all around us. How often have we allowed ourselves the time after a light rainfall to wander the land, admiring the lingering water droplets that cover pine needles and honeysuckle vine tendrils like tiny jewels?
By the time I set out on a late afternoon saunter to Piney Woods Church Road, the leaden skies had given way to a fine mist — not quite fog, and not quite a drizzle, but approaching what Thoreau called a “mizzling” rain. It was certainly not a day for sunset opportunities. Indeed, it was one of those days that I knew, sooner or later, would happen. Throughout most of the walk, I was accompanied by a small voice in my head, telling me that I was running out of photograph opportunities, and how silly I must be for thinking that this short gravel road outside Atlanta would somehow yield a trove of images and experiences. I persevered nonetheless, dutifully photographing a rock with lichens and mosses (not in sharp focus) and a single red greenbriar leaf against a background of tan-brown fallen leaves from last autumn. I photograph both of these every day now; be watching for when they appear in this blog. I was tempted to turn back early, satisfied with either the rock or the leaf, but I continued to where Piney Woods Church Road meets Hutcheson Ferry Road. Standing in a ditch beside the intersection, I took this photograph of moss with clinging water droplets, using my +4 macro lens. I am reminded, for some reason, of a rolling Irish landscape. Perhaps because it seems always to be raining in Ireland…..
Some of my photographs, such as the ice mural from yesterday, are very much premeditated creations. It was a brutally cold Tuesday afternoon, and I expected to find interesting ice patterns somewhere along Piney Woods Church Road. Once I saw the marvelous examples of frozen ice bubbles in rut marks, I knew I had my image for the day. Today’s photograph, on the other hand, was much more serendipitous. I anticipated a few clouds at sunset, since tomorrow is predicted to be mostly cloudy. What I did not anticipate (or discover, until I got home and reviewed my photographs) was the image below. It looks as if the tree branches and clouds are interacting with each other — the tree branches somehow pushing the cloud edges away.
Only a couple of days ago, I recall setting off down Piney Woods Church Road, from its intersection with Rico Road, and finding deep muddy ruts along the road edge. I remember being upset by this disfigurement of my daily journey. Yet, passing by that same spot today, I discovered the beautiful, intriguing patterns of ice bubbles frozen into those very ruts. What before was unsightly has now been rendered attractive and photo-worthy. The result is this “ice mural”, an image which I can imagine painted into the side of a building in some city somewhere. The abstractions suggest a landscape with figures — but I will leave interpretations to readers. What do you see in this image?
I set out with every intention of photographing the sunset. After all, it is one of those things that all outdoor photographers inevitably do from time to time. And, I am proud to say, I took quite a few sunset photos from Piney Woods Church Road. It was, without doubt, the slowest sunset I have ever witnessed. I stood at the edge of a cow pasture, hands in pockets, waiting. The pockets kept my fingers from getting numb, but in the 25-degree air (with winds gusting to 25 miles per hour), I could feel my wrists getting numb where they were exposed between pocket edge and coat sleeve. While I waited, I snatched what photos I could, including more cows, winter weeds in the golden hour light, and a few quick-flitting LBJ’s (little brown jobs, as ornithologists affectionately refer to small brown nondescript birds). Usually, by the time I would have the camera lens zoomed and focused, the bird would be long gone from its perch. I would wait a few more minutes, another bird would perch somewhere, and the race against the clock would begin again. Photographing small birds is, for me, a bit like entering the lottery. Perhaps it was my lucky day — I learned this morning that I won a prize in a drawing at a school where I used to teach — but I was surprised to find when I returned home that a couple of my LBJ shots were actually quite lovely. My day’s contribution to this project is a small bird — a sparrow, perhaps? — perched in the tree branches beside a pasture along Piney Woods Church Road. The bird has fluffed up its feathers, doing its best to keep warm. It is comforting to know that I wasn’t the only one feeling the effects of the arctic blast that has covered the Piedmont of Georgia.
According to the book of Genesis in the Holy Bible, one of Adam’s first actions after being created was to gather together all living things and give them names. Clearly, the human predilection for classifying and naming plants and animals goes back thousands of years. It is most evident today in birders’ life lists: collections of scientific names of all the different birds one has seen over a lifetime. My own bookshelves overflow with field guides, nearly a hundred in all, covering birds, trees, salamanders, moths, mushrooms, and many other kinds of living things. In medieval alchemy, names had power to them, as shown by the fact that to spell refers both to stating the letters in a word and exerting magical influence in the world. Nowadays, to know the name (common or scientific) of a plant or animal is enough for a naturalist to find dozens of images and species accounts scattered across the Web. It is possible to take a digital photograph of a butterfly in the morning and spend the rest of the day indoors and online, reading about the butterfly, its life cycle, host plants, behaviors, etc.
But naming is only one access point into learning about the natural world. And particularly for children, perhaps names are not the best place to start after all. The naturalist Barry Lopez warns, in his book of essays, Crossing Open Ground (pp. 150-151), “The quickest door to open in the woods for a child is the one that leads to the smallest room, by knowing the name each thing is called. The door that leads to a cathedral is marked by a hesitancy to speak at all, rather to encourage by example a sharpness of the senses.” Once we learn a name for something, there is a sense of completion, a suggestion that it is all that is necessary. Yet there is so much more out there to discover. When we take the time to study the more-than-human world closely, we begin to notice how trees and insects have individuality and personality of their own. A label just captures a static form, while living things are always changing. Caterpillars become butterflies, and a holly bush outside my window comes into bloom and suddenly swarms with bees and other flying insects craving nectar.
Thinking back to my own childhood (with many hours spent running barefoot across neighbors fields or tromping through a woodlot behind my house), I recall how few plants and animals I could identify. I knew what poison ivy looked like, and my brother taught me about jewelweed because it could be used to treat poison ivy. There was a shrub that grew in several places in the yard that I was confident was witch hazel; a few years ago, I learned that it was actually spicebush. There were dandelions, bane of my father, resident Lawnkeeper. And then there was Queen Anne’s lace, or wild carrot. My brother taught me that one, too. It’s roots tasted quite similar to carrot, but their texture was much closer to that of many strands of dental floss twisted together. In the front yard, there were black walnut trees that periodically covered the lawn with large green nuts, and in the far front, by the road, a stately sycamore that I learned in school was one of the oldest deciduous trees in the evolution of life on Earth. Animals I knew only by categories: ants, spiders, squirrels. My knowledge of classification was ad hoc and full of holes, having as much to do with uses plants could be put to as anything else.
I am in good company. Even the famous biologist E.O. Wilson recognized that this kind of nature experience may be more important in fostering a love of nature and sense of wonder about the environment around us. In his autobiography, Naturalist, he wrote (pp. 12-13) that “Hands-on experience at the critical time, not systematic knowledge, is what counts in the making of a naturalist. Better to be an untutored savage for a while, not to know the names or anatomical detail. Better to spend long stretches of time just searching and dreaming.” Wilson went on to quote Rachel Carson’s essay, The Sense of Wonder, in which she commented that “If facts are the seeds that later produce knowledge and wisdom, then the emotions and the impressions of the senses are the fertile soil in which the seeds must grow. The years of childhood are the time to prepare the soil.”
How, then, to encourage children to connect with nature, if not by way of field guides? One approach would be simply to encourage children to go on backyard safaris, to see what they can discover and study it closely. All that is needed are long pants and repellant against ticks and chiggers, knowledge of how to avoid fire ants, poison ivy, and other hazards of going adventuring, a magnifying lens, perhaps a jar with holes in the lid, maybe even a digital camera, and plenty of time. I suspect the child will return with tales of sights and wonders you had not imagined before.
Another activity is to choose a few trees and shrubs, observe them closely with a child, and encourage him or her to give them names. Periodically over the seasons, the child can be encouraged to revisit Bendy Tree and Prickly Shrub. How are they changing day to day, and season to season? Are there new visitors to the tree that weren’t there before? Are the leaves just unfurling, or are they perhaps riddled with holes from someone’s latest meal? Eventually, as the child gets to know the plants better, and is on familiar terms with them, he or she may inquire after their scientific names (or at least their common ones). Then it will be time to break out a field guide. The name will add one more layer of knowledge to what is already there, rather than being sufficient by itself. There is so much about nature hidden beneath the names, like salamanders beneath cobbles in a stream, just waiting to be explored.
This article was originally published on April 30, 2012.
Yet another gray-sky afternoon, but much milder than yesterday — I delighted in the warm (mid-50’s), moist air that is the precursor to an arctic front expected to sweep through Georgia overnight, bringing rain turning to snow by Monday morning. I spent my time along Piney Woods Church Road mostly experimenting with my macro lenses. My favorite shot of the day contained, yet again, a cow, though it plays a cameo role in the background. I am weaning myself slowly from cows. Tomorrow, I promise myself, will be a cow-free day.
I set out under leaden skies to see what I could discover along Piney Woods Church Road. The forecast promised 45 degrees, but I had to settle for 35 instead. The light was muted, the sky almost oppressive; it truly felt like rain (or even snow) was on its way. “No more cows,” I promised myself. I had joked with my wife yesterday after posting my cow photograph that it might be possible to do 365 different cow photographs across a year. I sincerely promise my readers that I won’t do that. I took quite a few macro photographs of lichens, moss and leaves, and some intriguing abstract images through tangles of greenbrier. Still, after wading through the over sixty photos I took today, the cow clearly topped the list. I suppose one could say that he won by a nose.
It was a cold day by Georgia standards, with the temperature just a couple degrees above freezing, though without the harsh wind of yesterday afternoon. Ice had formed along the edges of the ditch beside Piney Church Road. The sky was deep blue, the sunset less than spectacular, but a delight to see anyway, after so many cloudy days of late. While waiting for the sunset, I hung out with some cows who were at least as curious about me as I was about them. I could see their breath in the late afternoon air.
Another cloudy day. The morning rain had passed, and with the cold front moving through the wind was picking up, the chill gusts numbing my fingertips and setting leaves and branches into motion. After several attempts to capture close-up images of mosses, lichens, and ferns, I decided to embrace the wind instead. Looking across an open pasture about two-thirds of the way from Rico Road to Hutcheson Ferry Road, I saw this turkey buzzard gliding on the wind currents. The same wind that made macro photographs well nigh impossible for me had granted this crow an opportunity to soar amid the breaking clouds.