Jun 122020
 

Many other experiments I recorded which I will not inflict on the reader in detail.

AFTER A FEW ENCHANTING CHAPTERS ABOUT BIRDS, TREAT REVEALS HERSELF TO BE A HIGHLY DEDICATED, RIGOROUS FIELD BIOLOGIST. Treat begins the second section of her book, on the Habits of Insects, by observing that “I sometimes think the more I limit myself to a small area, the more novelties and discoveries I make in natural history. My observations for the past four summers have been almost wholly confined to an acre of ground in the heart of a noisy town” (Vineland, New Jersey). In that chapter and the ensuing ones, Treat reports on her careful observations of burrowing spiders, ants, and wasps. She reports discovering two entirely new species of spider on her acre in town, counting the numbers of burrows and regularly observing each one. She placed a number of spiders in jars, in order to study them more closely. In a rare humorous passage in the book, she explains how she kept them in captivity.

These spiders make very interesting pets. I capture them by cutting out the the nests with a sharp trowel or large knife, and have ready some glass candy jars from twelve to fourteen inches in heigh in which I carefully place them. I then fill in with earth all around, making the jar about half full, and cover the surface with moss, introducing some pretty little growing plants, so that my nervous lady friends may admire the plants without being shocked with the knowledge that each of these jars is the home of a large spider.

THROUGHOUT HER ACCOUNTS OF THE DAILY BEHAVIORS OF SPIDERS, WASPS, AND ANTS, SHE WRITES OF THEM WITH THOUGHTFULNESS AND RESPECT. At various points, she mentions the spiders’ “skill”, “wisdom”, and maternal “care”. “If anyone will closely observe the behavior of insects — especially ants, wasps, and spiders [evidently grouped with insects at the time] — he will not be at all startled or surprised with the announcement that these humble creatures have brains like our own.” Her writing reflects both a sense of fascination with insects and also a painstaking commitment to firsthand, rigorous study. And throughout her chapter on spiders and wasps, I encountered the most fabulous artwork, often flowing organically across much of a page, as in the case of the argiope spider web, below. (Her chapter on ants, however, was entirely devoid of illustrations.)

AFTER SHARING OBSERVATIONS OF BACKYARD INSECTS, THE THIRD SECTION OF TREAT’S BOOK COVERED STUDIES IN INSECTIVOROUS PLANTS. Over five chapters, she details her observations and experiments involving bladderworts, butterworts, sundews, Venus flytraps, and pitcher plants. Many of her investigations included microscopy, such as this drawing of the underwater trapping mechanism of a bladderwort, complete with its mosquito larva victim:

SHE CLEARLY SPENT MANY TEDIOUS HOURS TRYING TO FEED HER BOTANICAL CHARGES. And she documented much of it in her essays, including time of day, type of food, and response of plant. At times, her writing veered toward the kind of prose found in scientific journals; she was clearly quite comfortable in her role as scientist, making new discoveries and, even, at times, contradicting Darwin: “In a letter bearing date June 1, 1875, Mr. Darwin says: ‘I have read your article with the greatest interest…. It is pretty clear I am quite wrong….'” I wonder how often that happened. This part of the book, I confess, was tough going, and I nearly nodded off a time or two. All the plant names were in Latin (common names were only mentioned once in passing if at all), and I began wishing her observations had been reduced to a simple table or two that I might pass over. At one point (quoted at the opening of this post), Treat even recognized the somewhat painful aspect of her reporting, by offering not to “inflict” more of them on her reader.

THE LAST CHAPTER OF THE SECTION, ON PITCHER PLANTS, HOWEVER, WAS ONE OF THE MOST INTRIGUING PARTS OF THE BOOK. In it, Treat reported her observations of numerous flies and cockroaches, all of whom appeared to become intoxicated after consuming some of the liquid exuded by the pitcher plant she was studying. She described them becoming disoriented, stumbling about, and being drawn to the pitcher plant’s open mouth, “as if fascinated by some spell.” Even the ones she rescued before they were entrapped did not live very long afterwards. Treat was convinced that the pitcher plant was drugging them with some sort of toxin, though she seemed a bit frustrated that she could not provide stronger evidence for it:

I have been asked by an eminent scientist if I can prove that the flies are intoxicated. I do not see how I can prove it. I am not a chemist, and cannot analyze the secretion. I can only give the result of my observations and experiments. I might get a large quantity of the leaves and make a decoction of the secretion and drink it; but I find the flies never recover from their intoxication, and my fate might be the same if I took a sufficient quantity.

AS SCIENTISTS NOW KNOW, IT WAS A GOOD THING THAT MARY TREAT DID NOT GO FURTHER IN TRYING TO PROVE THE PITCHER PLANT WAS DRUGGING ITS PREY. We now know that at least eight species in the genus Sarracenia (to which Treat’s pitcher plants belonged) produce the alkaloid coniine, a paralyzing neurotoxin that is most commonly known as the active ingredient in poison hemlock. Consuming it in substantial quantities can cause a burning sensation in the mouth, nausea, vomiting, confusion, rapid heartbeat, seizures, paralysis, and, of course, death.

THE LAST SECTION OF THE BOOK WAS DEDICATED TO PLANTS SHE ENCOUNTERED IN FLORIDA AND NEW JERSEY. Here, her personna of experimental scientist was replaced with that of an eager, open-eyed adventurer, finding spectacular flowering plants in the nearby wilds of New Jersey and Florida. Along the St. John’s River in Florida, she found a water lily that had been depicted in a work by Audubon but never actually described, and nearby she discovered an amaryllis that was entirely new to science. She spoke highly the botanically rich landscape of northern Florida, but declared that there was no more amazing place for botanizing than the New Jersey Pine Barrens. In the only passage in the book where she writes about environmental impacts of human “progress”, she interrupts her tale of floral discoveries to note that “…within a few years past it has been found that the pine-barrens of Southern New Jersey are quite fertile, and at no distant day they are destined to become the greatest fruit gardens in the Union. And then farewell to the rare floral treasures that no art can save.” I was surprised how resigned she seemed to the inevitability of that loss. Fortunately for all of us, reports of the fertility of the Pine Barrens appear to have been greatly exaggerated; a large portion of southern New Jersey remains forested to this day.

AND SO, AFTER A FINAL PARAGRAPH EXTOLLING THE VIRTUES OF NEW JERSEY’S PINE BARRENS FLORA AND A FEW PAGES OF INDEX, THE FIRST LEG OF MY JOURNEY ENDED. I closed the book, taking a last deep draught of the volume’s delightful “old book smell” (which you can read more about here). On the whole, it was a satisfying start to my adventures. I appreciate how Mary Treat succeeded remarkably as a scientist at a time when the profession was largely closed to women. She went head to head with the likes of Darwin, and won. As a popularizer of science for the common folk, I think she was a bit less successful. “Home Studies in Nature” is at best an uneven work. It is a collection of essays, so there really isn’t any structure or theme. Its audience is sometimes the everyday reader (particularly in the section on bird nests and behavior), sometimes the fellow scientist (when reporting on experiments with spiders and pitcher plants). I get the sense from her book that she was most at home (often quite literally) when carrying out meticulous fieldwork, making amazing discoveries just beyond her doorstep or through the lens of a microscope.

Jun 112020
 

“To the lover, especially of birds, insects, and plants, the smallest area around a well-chosen home will furnish sufficient material to satisfy all thirst of knowledge through the longest life.”

I HAVE DECIDED TO EMBARK ON A JOURNEY. It is not a journey marked by miles — in light of the recent pandemic, I have only been away from my home twice since mid-March, both times venturing only as far as our CSA Farm in Fairburn, less than ten miles from doorstep. It is, instead, a journey into the past (and as I write this, I hear faint strains of Jethro Tull, Living in the Past). Like Ian Anderson, I seek solace and shelter from an unsettling world, one that presses itself into my office and into my being practically every hour of every day. This journey is one into a Golden Age — not a utopia, certainly, but a time of promise and possibility — a time when nature writing in America blossomed, for lack of a better word. Will you join me on my travels? I have mapped out a path in books lined neatly along the upper shelf of my bookcase. Adventures await!

I HAVE GONE ON AN AMAZING JOURNEY BEFORE. It is chronicled already in this blog. Half a dozen years ago, I set out down Piney Woods Church Road, an unassuming byway a short distance from my front door. I walked over 350 miles on that trip. For one year, every day, I walked that patch of road, between my home street of Rico Road at one end and Hutcheson Ferry Road, a bustling path from the outside world to Serenbe, at the other. Every day, I carried my camera, and found new things to photograph and appreciate. I have been overseas many times now — Australia, New Zealand, Bolivia, Ireland, Belize, Malta — but the journey I am most enamored of, the one that taught me the most, is the one I took on foot, here in Georgia, along the same pathway of gravel and dust, past the front and back yards of neighbors, along fields of cattle and horses.

AT LONG LAST, IT IS TIME TO WANDER AGAIN. After my last travels, I fully expected to keep wandering. I envisioned myself a Dirt Road Pilgrim, walking the backroads of Chattahoochee Hills, taking more photographs and having more adventures. Somehow, that never happened. There was something magical, I think, about the level of commitment I had to make in order to take my first journey. Every day, for an entire year, I remained at home, faithfully recording the quotidian wonders of a space that was practically my backyard. And the thought of shifting to once a week, or even once a month, just didn’t seem the same. Oddly enough, it felt like more of an obligation than a calling. Instead, I waited. And now the waiting is finally over. My path has appeared — not one that begins at my front walk or even in the trace of a colored line on Google Maps, but in an ever-growing row of dusty, somewhat tattered volumes on a shelf.

IN THESE TROUBLED TIMES, I SET FORTH IN SEARCH OF HEALING. I seek to assuage the sufferings of myself and my world, to find moments of comfort and calm, maybe even to encounter flashes of wonder and hope. And I believe — I know — they can be found between the covers of aged, largely-forgotten texts. My quest will lead me back and forth across a span of one hundred years, between about 1840 and 1940, and into books whose titles I had until recently never heard of, by authors I had scarcely imagined even existed. Yes, there will be the occasional visit with an old friend — Henry Thoreau, Ralph Waldo Emerson, John Burroughs, John Muir. But mostly I will be seeking the acquaintances of a lesser-known assortment of nature writers — some even contemporaries of Thoreau and Burroughs, most commemorated only in my Biographical Encyclopedia of Early American Nature Writers (edited by Daniel Patterson) and/or a brief entry in Wikipedia. Many of them are women. All of them have wonders aplenty to share. Will you join me?

FOR THIS JOURNEY, LIKE MY EARLIER ONE, I HAVE SET MYSELF A COUPLE OF RULES TO FOLLOW. I have committed myself, wherever possible, to reading original copies of each writer’s work. I believe that the magic of a book does not end with the words themselves. Ancient volumes, imbued with the power of story, call out to me, and I answer them to the extent that my meagre budget allows. I crave the feel of old paper, the brown blotches of old ink stains, the tattered spine, the library stamp, the gift inscription from perhaps 100 years ago or more. Ideally, I would limit myself to first editions, which have that beginning-magic to them even after many decades. Limited as I am to what used copies I can find for thirty dollars or less each (and sometimes a lot less), I will content myself with any old copy whose binding is still intact enough to read without causing further damage. Because I have opted to restrict my reading almost entirely to the forgotten, sometimes opportunities present themselves to obtain the holy grail of the antiquarian book fancier — the signed copy! In a few cases, though, I will have to content myself with whatever copy I can find. A first edition of Walden, for instance, costs more than my annual salary. But mostly I will travel through old books — and my accounts will include not only the words, but the experiences. I will do my best to bring you along on my journey. My second rule? (After all, I did refer to “a couple” of them.) My second rule is to dispense with the thought of a logical sequence to the books I will read. There is no chronology here, though I fully anticipate dialogue between the various authors (some of whom knew and corresponded with, or at least quoted, each other).

TO VARY MY TRAVELS A BIT MORE, I WILL SOMETIMES WANDER INTO MY BACKYARD. I may even set out down Piney Woods Church Road a time or two. My living discoveries — animal tracks, insects, flowers, tree leaves — these I will examine further at home, in light of some field guides that also happen to be some of the earliest published in America. These will include a guide to Southern Wild Flowers and Trees, by Alice Lounsberry, copyright 1901. I managed to win a first edition in an auction in which I was the only bidder (one of the perks of pursuing the obscure and supposedly “out of date”). I can’t wait to open it up and consider everyday nature through the lens of its images and text.

AND SO I BEGIN WITH MARY TREAT, WHO PUBLISHED “HOME STUDIES IN NATURE” IN 1885. I somehow managed to track down a first edition — probably the only edition, for that matter. Like most of these titles, this one is available now in reprinted form, usually printed on demand. But as far as I can tell, since obtaining my copy, no other originals have appeared on the market. That said, the book itself is rather plain: olive drab binding (which looks more yellow-green in the sunlight, in my photograph below), lettering in burgundy across the top, spine (what is left of it) in burgundy, too. A thick folded sheet of transparent plastic both protects my copy and, I suspect, helps prevent its falling apart.

THE BOOK ITSELF HAS HAD A SOMEWHAT ROUGH HISTORY. It was, at some point, known as “Number 808” and kept on the library shelf of the Richland County Training School. My Google search revealed that it was a Normal School (one that trained future school teachers) in the town of Richland Center, Richland County seat, in the backwoods of Wisconsin about halfway between LaCrosse and Madison. Apart from library stamps inside the front cover and on a library card pocket glued into the back, there is no other writing in the book — no choice underlined passages or random scrawl in pencil or ink. But it did take some beating — about a third of the spine is missing. Was the book popular? Were any readers inspired by it to share some of its ideas or messages with their own pupils?

BEFORE I OPEN THE VOLUME, A FEW WORDS ABOUT THE AUTHOR ARE IN ORDER. Born in 1830 in Trumansburg, New York, she spent most of her formative years in Ohio before returning to New York State and marrying Dr. James Burrell Treat in 1861. The couple moved briefly to Iowa, then settled in Vineland, New Jersey. Beginning in her home’s backyard, and that of a cottage the Treats purchased on the St. Johns River in Florida, Mary Treat explored the natural world. She became renowned for her research and knowledge in entomology and botany (particularly in regard to carnivorous plants). Her botanical and entomological fieldwork took her to the Pine Barrens of New Jersey and the wilds of Florida. Two species of amarilys (one of which she discovered) and two species of ants are named after her. She corresponded with scientists of her day who are still well known — Asa Gray and Charles Darwin, among others. While the public generally knew her as a popularizer of nature study (at a time when the Nature Study Movement was just getting underway), she also conducted experiments and published her findings in peer-reviewed scientific journals. Her first book for a popular audience, “Chapters on Ants”, came out in 1979 and was a collection of essays that had previously appeared in publications like Harper’s. Her second essay collection, “Home Studies in Nature”, came out six years later.

AT LAST, I BEGIN TO READ. After a brief introduction on encountering nature right where you are (including the quote at the beginning of this article), the book begins with a section on birds. There are a lot of bird books from the late 1800s. In fact, a large portion of the early environmental movement emerged from the popularity of birdwatching. Birding also spawned many titles, some of which await reading in my bookcase. Try as I will, I have not been able to connect with my inner ornithologist. I spent a summer working as a seabird interpreter off the Maine Coast, but what I most fondly recall from that time is the rocky, wave-battered coast, the blooming lupines, the strawberry festivals, and the endless used book sales (heaven!), not really the puffins (though I certainly found them adorable). So I was a bit apprehensive as the first chapter on Our Familiar Birds began.

ALREADY I CAN SEE THAT TREAT IS A DELIGHTFUL AND ASTUTE WRITER. I really enjoyed all four of her chapters on birds, including birds of Florida, birds in winter, and the architecture of birds’ nests. I was in awe of how patiently Treat worked on what she refers to as “domesticating” the birds around her, to the point that she could observe their habits closely and begin describing their characters. In so doing, she reveals the birds as living beings, not automatons acting by instincts only. While it is common now for us to ascribe intelligence to birds, in her day that was hardly the norm. In her chapter on birds’ nests, she shares about how different members of the same bird species can construct wildly varying nests — some skillfully crafted, others hastily thrown together. This provides evidence, she argues, that birds can reason and learn — abilities at the time that others would not have attributed to them. Specifically, she writes that

A close observer of birds cannot fail to see that they exercise reason and forethought, not only in the management of the young, but in many other things.

ALREADY, IN 1885, TREAT RECOGNIZES THE HORRENDOUS HUNTING OF BIRDS FOR SPORT. She even expresses a moment of regret that hunters themselves cannot legally be hunted. Compared to that person who shoots birds “from mere wantonness and sport of the chase, the hawk or owl, which takes a bird only to appease his hunger, towers above him in moral rectitude.” I would definitely side with the birds, too.

NEXT TIME, AN ADVENTURE WITH INSECTS. The next section of Treat’s book covers some entomological explorations. For now, I will close with one of my favorite illustrations in the book thus far, the Spanish bayonet in flower.

Jan 022017
 

A spring pool along the Santa Fe River in north-central Florida holds the blue of sky and the green of water plants.

In Chattahoochee Hills, Georgia, it is another in a string of gray days of intermittent rain, drizzle, and fog.  My sunroom (not quite an apt name) is flooded again; it was built on the original concrete slab patio of the house, and has considerable issues with drainage.  I find solace in knowing that our drought of many months may indeed be at an end.

Meanwhile, on screen, I find a delight in returning to this blog, like meeting up with a long-lost friend and picking up where I had left off.  I have photos a-plenty to bide my time these next couple of months, until I leave for Australia.  On less foreboding days, I hope to make a few ventures into the woods.  I still walk Piney Woods Church Road, though now once again it is nearly always with dogs in tow.  Since two years ago, my days have been eroded, my precious moments lost to additional teaching responsibilities (not necessarily unpleasant, but frequent and insistent).  This year, I will strive to reclaim them; I have embarked on an eight-week course of mindfulness meditation, I have two daily readers for pondering (more about them in a future post), and of course there is the time I will devote (apt word, that) to daily entries here.

Meanwhile, I share with you this photograph from along the Santa Fe River, near Fort White, Florida, from early December, 2016.  A side-channel of the river led to this spring-fed pool, where aquatic plants flourished.  The blend of blues and greens brought longed-for color to the grays and browns of the winter woods.

Dec 272014
 

From early this afternoon, while the sun still peaked through thickening clouds, I offer this lone image.  It is a different take on all of my tendril photos of late.  Rather than being a study of a single coil or pattern, it explores the act of coiling itself.  I find my eyes drawn all around this image, following the curving paths of the muscadine.

 

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Dec 212014
 

Day 355, and I pause to acknowledge the Winter Solstice.  I had planned to begin my project on this very day in 2013, but ended up postponing it to begin instead with the first of the year.  Having nearly completed my round of the seasons, I appreciate the arbitrary nature of our Western calendar, and am delighted to say that my next project (more about that on January 1st) will begin with the Spring Equinox of 2015, rather than the start of a particular month.  This is the shortest day, and as I type this, it has already grown dark though not yet 6 pm Eastern Time.  Tomorrow, the days will grow longer once again. On the occasion of this turning of the year, I offer these two images of turning tendrils, taken on today’s ramble through the dreary gray along Piney Woods Church Road.

 

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Dec 202014
 

Some much-welcomed rain showers arrived overnight, and the air felt moist and full of promise as I set out on my afternoon exploration of Piney Woods Church Road today.  The water that had covered the leaves and branches of the roadside plants had mostly dried up, except for individual tiny droplets lingering on the tips of a loblolly pine sapling.  I had tried photographing them before, with little success.  Today’s efforts were rewarded by the photograph below.

 

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Dec 182014
 

As winter approaches and the Piney Woods Church Road landscape becomes more sere and barren, I begin to notice the naked branches of the trees and bare tendrils of the vines so much more.  Today I found yet another enticing tendril image, a flourish of woody muscadine on a cold and cloudy mid-December afternoon.

 

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Dec 142014
 

On my early afternoon walk down Piney Woods Church Road today, my attention was drawn to a fascinating relationship between a shrub of some kind and an adjacent muscadine.  A woody tendril of the vine cradled a single leaf from the shrub, holding it in place.  How did this happen?  Did the tendrils turn first, to wrap around some long-gone form, and then the leaf just happened to be blown into a vine’s embrace?  Or did the tendrils somehow develop around the leaf, pinning it motionless?  Equally mysterious is how I managed to walk past it for weeks, or even months, never noticing it before today.

 

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Dec 132014
 

I supposed my eyes were trained to seek out patches of green and red in juxtaposition along Piney Woods Church Road, after I stopped to photograph a brilliant red ribbon and bit of artificial pine that festooned a roadside mailbox.  I actually took a number of photographs of that ribbon, covered in several places with newly-fallen brown leaves.  Still, I find this later, and much more natural, bit of red and green far more enticing:  a single dark green blade of grass stands next to a tiny sweetgum sapling with bright red leaves.  The image forms a natural holiday tableau, equally fitting for Christmas or the Winter Solstice.

 

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